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A farce is a comedy written for the stage, or a film, which aims to entertain the audience by means of unlikely and extravagant yet often possible situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include puns and sexual innuendo, and a fast-paced plot whose speed usually increases even further towards the end of the play, often involving an elaborate chase scene. Broad physical humor, and deliberate absurdity or nonsense, are also commonly employed in farce.
As opposed to romantic comedies, farces usually do not contain a traditional plot involving frustrated young lovers who eventually surmount all obstacles. Rather, they frequently focus on a transgressive act, or on a character's urge to hide something from the other characters, and the unforeseen chain reaction that results. In staged farce there is usually only one setting throughout the play, often the drawing room of a family home which has numerous doors (and possibly French windows) leading to bedrooms, the kitchen, cupboards, and the garden. Alternatively, the setting can be a hotel or hospital room or an office. Film farces are typically much more expansive in the use of space.
Having no time to step back and consider what they have been doing or will be doing next, the character who has something to hide soon passes the point of no return, erroneously believing that any course of action is preferable to being found out or admitting the truth themselves. This way they get deeper and deeper into "trouble".
This skeleton in the closet may be real or just imagined (i e based on some misunderstanding or a misinterpretation of facts); a secret which concerns the immediate present or the long-forgotten past and has just re-emerged and started to threaten the main character's security or peace and quiet, at least seemingly. The subject-matters chosen by the various writers of farce reflect the social mores of the time: In the late 19th century, it can be a woman lying about her real age, or a man having fathered an illegitimate child. In the course of the 20th century, it is mainly infidelity, with the protagonist trying to prevent their extra-marital affair from becoming publicly known.
Many farces move at frantic pace toward the climax, in which the initial problem is resolved one way or another, often through a deus ex machinaDeus ex machina is Latin for "god from the machine" and is a calque from the Greek " ", (pronounced 'apo mekhanes theos'). It originated with Greek and Roman theater, when a mechane would lower a god or gods onstage to resolve a hopeless situation. Thus, twist of the plot. Generally, there is a happy ending. To the audience's delight, however, the convention of poetic justicePoetic justice refers to a person receiving punishment intimately related to their crime. For example, "poetic justice" for a rapist would be becoming the rape victim; for a adulteress, having her spouse be an adulterer; and so on. Dante's Inferno portion is not always observed: The protagonist may get away with what he or she been trying to hide at all costs, even if it is a criminal act.
Farce in general is highly tolerant of transgressive behavior, and tends to depict human beings as vain, irrational, venal, infantile, and prone to automatism. In that respect, farce is a natural companion of satire. Farce is, in fact, not merely a genre but a highly flexible dramatic mode that often occurs in combination with other forms, including romantic comedy.
As far as ridiculous, far-fetched situations, quick, witty repartee, and broad physical humor are concerned, farce is widely employed in TV sitcoms, in silent film comedy, and in screwball comedy. See also bedroom farceA bedroom farce is a type of light drama, centered on the sexual pairings and recombinations of characters as they move through improbable plots. The bedroom farce is perhaps the most common form of farce. The most famous bedroom farceur is probably Georg.
JapanJapan (, Nippon/Nihon literally "the origin of the sun") is a country in East Asia situated on a chain of islands east of the Asian continent on the western edge of the Pacific Ocean. The largest of these islands are, from north to south, Hokkaido , Honsh has a centuries-old tradition of farce. Kyogen are plays that are performed as comic relief during the long, serious NohItsukushima Shrine, Miyajima, Hiroshima Noh or No ( Japanese: No) is a major form of classical Japanese musical drama that has been performed since the 14th century. Together with the closely related kyogen farce, it evolved from various popular and arist plays.