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Born to a fairly well-off family, Sor was descended from a long line of soldiers, and intented to continue that legacy, but was distracted by this when his father introduced him to Italian opera. He fell in love with music and abandoned a military career. Along with opera, Sor's father also introduced him to the guitar, which, at the time, was little more than an instrument played in taverns, thought to be inferior to orchestralAn orchestra is a musical ensemble used most often in classical music. A small orchestra is called a chamber orchestra''. Full size orchestras may sometimes be called "symphony orchestras" or "philharmonic orchestras"; these prefixes do not indicate any d instruments.
Sor studied music at a monasteryA monastery is the habitation of monks. Originally: a hermit's cell. Christian monasteries are also called abbey, priory, charterhouse, friary, and preceptory The habitation of nuns is also called a convent. The communal life of a monastery is called ceno on the slopes MontserratMontserrat is a mountain near Barcelona, in Catalonia, in Spain. It is the site of a Benedictine abbey, which hosts the Virgin of Montserrat sanctuary and which is identified by some with the location of the Holy Grail in Arthurian myth. The abbey can be, a mountain near Barcelona, until his father died. His mother couldn't afford to finance continued studies and withdrew him. It was at this monastery that he began to write his first pieces of music for the guitar.
In 1808Events January 1 Importation of slaves into the United States is banned February 11 Anthracite coal first burned as fuel, experimentally. February Russia issues an ultimatum to Sweden, to join France, Denmark and Russia and attacks Finland. March 26 Charl, when Napoleon Bonaparte invaded Spain, he began to write nationalisticNationalism is an ideology that creates and sustains a nation as a concept of a common identity for groups of humans. Nationalists base nations on various notions of political legitimacy. These can derive from the Romantic theory of " cultural identity", music for the guitar, often accompanied by patrioticPatriotism is a feeling of love and devotion to one's own homeland patria the land of one's fathers). This article surveys the concept of patriotism from the viewpoints of history, politics, ethics, and biology. Ecole Polytechnique, Paris, 1814 Patriotic lyricA Lyric (from the Greek) is a song sung with a lyre. Now, it is commonly used to mean a song of no defined length or structure. A lyric poem is one that expresses a subjective, personal point of view. I would be the Lyric Ever on the lip, Rather than thes. After the defeat of the Spanish army, Sor accepted an administrative post in the occupying government. After the Spanish repelled the French in 1813, Sor and many other artists and aristocrats who had befriended the French left Spain for fear of retribution. He went to Paris, and never returned to his home country again.
He began to gain renown in the Parisian art community for his skills of composition and for his ability at playing the guitar, and eventually began to tour across Europe, gaining considerable fame. In 1827, due partly to his advancing age, he settled down and decided to live out the rest of his life in Paris. It was during this retirement that he composed many of his better works.
His last work was a mass in honour of his daughter, who died in 1837. Her death sent the already sickly Sor into serious depression, and he died a miserable man in 1839.
How history has viewed Sor's style can be summed up in a quote from William Newman: "The creative worth of Sor's guitar sonatas is high. The ideas, which grow out of the instrument yet stand up well enough apart from it, are fresh and distinctive. the harmony is skilful and surprisingly varied, with bold key changes and with rich modulations in the development sections. The texture is naturally of interest too, with the melody shifted from top to bottom, to middle, and frequent contrapuntal bits added. Among the extended forms, the first allegro movements still show considerable flexibility in the application of 'sonata form', especially in the larger number of ideas introduced and recalled. For that matter, the style still goes back to that of Haydn and Boccherini, especially in the first movement of Op. 22, which has all the neatness of syntax and accompaniment to be found in a classic symphony, and its third and fourth movements, which could nicely pass as a Minuet and Rondo by Haydn."
Sor, Fernando Sor, Fernando Sor, Fernando Sor, Fernando Sor, Fernando Sor, Fernando