 |
Business | Industries | Finance | Tax |
| Index: > A B C D E F G H I J K L M N O P Q R S T U V W X Y Z |
|
|||||
| First Prev [ 1 2 ] Next Last |
While free jazz is most often associated with the late 1950's and 1960's, many musicians – including Peter Brotzmann, Cecil Taylor, Ken Vandermark, Jemeel Moondoc , and William Parker – have kept the style alive to the present day.
Indeed, the style owes its name to Coleman: Free Jazz: A Collective Improvisation was the title of a 1960 recording by Coleman. He intended it only as an album title, but the term quickly became synonymous with the current adventurous innovations in jazz, and eventually became the name of a movement and style.
In the 1960's, the loosely-defined movement was sometimes called "Energy Music" or "The New Thing"
There were earlier precedents, however. Two songs by pianist Lennie TristanoLeonard Joseph Tristano ( 1919 1978) was a jazz pianist and composer. He is sometimes regarded as an unduly overlooked figure in jazz history. Tristano was blind from infancy. He studied piano and music theory from pre-teen years. His interest in jazz ins are sometimes cited as the earliest free jazz. "Digression" and "Intuition," were both recorded in 19491949 is the common year starting on Saturday. see link for calendar) Events January-February January 4 RMS Caronia of the Cunard Line departs Southampton for New York on her maiden voyage January 4 February 22 Series of winter storms in Nebraska, Wyoming,; neither had prearranged melodyIn music, a melody is a series of linear events or a succession, not a simultaneity as in a chord. However, this succession must contain change of some kind and be perceived as a single entity (possibly gestalt) to be called a melody. Most specifically th, harmonyThis article is about musical harmony. For other uses of the term, see Harmony (disambiguation) . Harmony is the art of using pitch simultaneity (or chords, actual or implied) in music. It is sometimes referred to as the "vertical" aspect of music, with m or rhythmRhythm is the variation of the duration of sounds over time. When governed by rule, it is called meter. It is inherent in any time-dependent medium, but it is most associated with music, dance, and most poetry. The study of rhythm, stress, and pitch in sp.
The trio led by Jimmy GiuffreJames Peter Giuffre (born 1921) is an American jazz saxophone and clarinet player. Giuffre first came to attention as an arranger for Woody Herman's big band, and would continue to write creative, unusual arrangements throughout his career. Giuffre was a with Paul Bley and Steve Swallow was a progenitor of free jazz using completely improvised melodies in works Emphasis, Flight, Free Fall in 1961/62.
Most of Sun Ra's music could be classified as free jazz, although Sun Ra said repeatedly that his music was written and that what he wrote sounded more free than what "the freedom boys" played.
Some of Charles Mingus' work was also important in establishing free jazz.
There is no universally accepted definition of free jazz, and any proposed definition is complicated by many musicians in other styles drawing on free jazz, or free jazz sometimes blending with other genres. Many musicians also tend to reject efforts at classification, regarding them as useless or unduly limiting.
Free Jazz uses jazz idioms but generally considerably less compositional material than in most earlier styles -- improvisation is essential, and whereas in earlier styles of jazz the improvised solos were always built according to a template provided by composed material ( chord changes and melody), in free jazz the performers often range much more widely. Free jazz as a style has grown considerably since its inception, and the ability to improvise freely is a common skill.
Typically this kind of music is played by small groups of musicians. In popular perception, free jazz is loud, aggressive, dissonant and in general full of sound and fury. Many critics, particularly at the music's inception, suspected that the abandonment of familiar elements of jazz pointed to a lack of technique on the part of the musicians. Most Free Jazz musicians use overblowing techniques or otherwise elicit unconventional sounds from their instruments. Today such views are more marginal, and the music has built up a tradition and a body of accompanying critical writing . It remains less popular than most other forms of jazz.
Beyond this, free jazz is most easily characterised in contrast with what we refer to here as "other forms of jazz", an umbrella which covers ragtime, dixieland, swing, bebop, cool jazz, jazz fusion and other styles, as in the following paragraphs.
"Other forms of jazz" use clear regular meters and strongly-pulsed rhythms, usually in 4/4 or (less often) 3/4, all swung. Free jazz normally retains a general pulsation and often swings but without regular metre, and often with frequent accelerando and ritardando, giving an impression of the rhythm moving in waves. Often players in an ensemble adopt different tempi. Despite all of this, it is still very often possible to tap one's foot to a free jazz performance; rhythm is more freely variable but has not disappeared entirely.
Other forms used harmonic structures (usually cycles of diatonic chords). Improvisors played solos using notes based on the notes in the chords. Free jazz almost by definition dispenses with such structures, but also by definition (it is, after all, "jazz" as much as it is "free") it retains much of the language of earlier jazz playing. It is therefore very common to hear diatonic, altered dominant and blues phrases in this music. It is also fairly common for a drone or single chord to underpin a performance (see modal jazz), but the absence of such rudimentary devices is also common.
Finally, other forms use composed melodies as the basis for group performance and improvisation. Free jazz practitioners sometimes use such material, and sometimes do not. In some music which is called "free jazz", other compositional structures are employed, some of them very detailed and complex; the music of Anthony Braxton furnishes many examples. It would perhaps be best to call this modern or avant garde jazz, reserving the term "free jazz" for music with few or no pre-composed elements.
See also: free improvisation, experimental music, noise music
| Politics | Business | Finance |
 |
 |
 |
|