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Jazz fusion (sometimes referred to simply as fusion) is a musical genre that loosely encompasses the merging of jazz with other styles, particularly rock, funk, R&B, and world music. It basically involved jazz musicians mixing the forms and techniques of jazz with the electric instruments of rock, and rhythmic structure from African-American popular music, both " soul" and " rhythm and blues".

Fusion had its roots in the late 1960s work of Miles Davis and then Tony Williams Lifetime. Later developments in the 1970s established jazz artists such as Julian "Cannonball" Adderley, Larry Coryell , Weather Report, Jean-Luc Ponty and Jeremy SteigJeremy Steig the son of The New Yorker cartoonist William Steig, is notable as one of the few jazz flutists playing flute exclusively, as opposed to doubling from other woodwinds (others are James Newton, and, for most of his career, Herbie Mann). After a as a viable commercial influence. Bands using instruments such as electric guitarAn electric guitar is a type of guitar with a solid or semi-solid body that utilizes electromagnetic " pickups" to convert the vibration of the steel-cored strings into electrical current. The current may be electrically altered to achieve various tonal e, bass guitarThe electric bass guitar is a stringed instrument similar to the electric guitar, but larger in size and with a lower range. It is also closely related to—and inspired by—the double bass, and shares things in common with a range of bass instruments. It is, and electric piano. Shortly, others began incorporating synthesizers such as the minimoogThe Minimoog is a monophonic analog synthesizer, invented by Robert Moog. Released in 1970, It was among the first widely available, portable and relatively affordable synthesizers. The Minimoog has four sound sources: three voltage-controlled oscillators joining forces with more avant garde players who had also begun incorporating electronic sound in the wake of the "classical" avant garde.

At the same time, rock and African-American popular musicians had begun moving beyond the short "radio single" song format and incorporating elements of jazz-like extended instrumental improvisation. Michael Bloomfield and Paul Butterfield, both young white blues musicians, recorded extended versions of Adderley's "Work Song" and a modal improvisation, "East/West" as early as 1966-67; other groups, particlarly those based in San Francisco ( Santana, Grateful DeadThe Grateful Dead was an American rock band, which was formed in 1965 in San Francisco from the remnants of another band, Mother McCree's Uptown Jug Champions . The Grateful Dead was known for its unique and eclectic songwriting style, which fused element, Jefferson AirplaneJefferson Airplane was an American rock band from San Francisco, a pioneer of the LSD-influenced psychedelic rock movement. Various successor incarnations of the band have performed under different names, reflecting changing times and performer lineups, k) and in the U.K. ( Cream, King Crimson, Pink Floyd) also performed, and eventually recorded, both extended improvisations on short song forms, and longer, multipart compositions.

Jazz artists, in the wake of developments in pop music, also began using the recording studio, with improved editing, multitrack recording, and electronic effects capability, as a adjunct to actual composition and improvisation. Davis' " In a Silent Way " and Bitches' Brew, (cornerstone recordings of the genre) for instance, feature "extended" (more than 20 minutes each) compositions which were never actually "played" straight through by the musicians in the studio; instead, musical motifs of various lengths were selected from recorded extended improvisations, and edited together into a musical whole which only exists in the recorded version.

Newer artists, such as Stanley Clarke, Chick Corea, Joe Zawinul and Pat Metheny also became involved in the developing scene. Musical barriers broke down further (to the continued horror of jazz purists) as musicians who had first established themselves as rock artists such as Jeff Beck began to experiment with the fusion form.

While jazz fusion is sometimes lampooned as being pretentious and overcomplicated - not unlike its cousin, progressive rock (rock meets classical music) - it has helped to break down boundaries between different genres and led to developments such as acid jazz. For the most part the genre has been subsumed into other branches of jazz and rock, but some traces of the form remain.





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