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The role of the libretto in the creation of a musical work varies. Some composers, notably Richard Wagner, wrote their own libretti. Others adapted the libretto from an existing play (as Alban Berg did with Georg Büchner's Woyzeck), or had this done for them, as with Francesco Maria Piave, who adapted works by Victor Hugo, the Duke of Rivas , and others. The works of William Shakespeare inspired many composers, including Purcell, Gounod, Verdi and Britten. GoetheJohann Wolfgang von Goethe (pronounced ['go t]) ( August 28, 1749 March 22, 1832) was a German writer, politician, humanist, scientist, and philosopher. As a writer, Goethe was one of the paramount figures of German literature and European Romanticism dur's FaustFaust is the protagonist of a popular German tale that has been used as the basis for many different fictional works. It concerns the fate of a learned gentleman, Faust, who summons the Devil, who in the tale is usually called Mephistopheles, and offers t also spawned a large number of opera adaptations.
Sometimes the libretto is an entirely original work, written in close collaboration with the composer, as with the libretti Hugo von HofmannsthalHugo von Hofmannsthal ( February 1, 1874 July 15, 1929), was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Hofmannsthal was born in Vienna, the son of a bank manager. He began to write poems and plays from an early age. He met wrote for Richard StraussRichard Strauss ( June 11, 1864 September 8, 1949) was a German composer of classical music particularly noted for his tone poems and operas. He was also a noted conductor. He was born on June 11, 1864 in Munich, Germany, the son of Franz Strauss who was.
Metastasio ( 1698Events January 4 Palace of Whitehall in London is destroyed by fire. June 19 Volcano of Carguarazon erupts in the Andes and causes a rain of fish August 25 Peter the Great arrives back to Moscow general Gordon has already crushed the streltsy rebellion 34- 1782Events January 7 The first American commercial bank opens ( Bank of North America). January 15 Superintendent of Finance Robert Morris goes before the United States Congress to recommend establishment of a national mint and decimal coinage February 5 Span) (real name Pietro Trapassi) was one of the most highly regarded librettists in EuropeFor the band of the same name, see Europe (band . Europe is a continent forming the westermost part of the Eurasian supercontinent. Europe is bounded to the north by the Arctic Ocean, to the west by the Atlantic Ocean, to the south by the Mediterranean Se. His libretti were set many times by many different composers. Another noted 18th century librettist was Lorenzo da Ponte, who wrote the libretto for three of Mozart's greatest operas. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer (with whom he had a lasting collaboration), Auber, Bellini, Donizetti, Rossini and Verdi. The French writers' duo Henri Meilhac and Ludovic Halévy wrote a large number of opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet and Georges Bizet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli, composed two operas of his own.Many writers of libretti have been sadly overlooked in the receipt of credit for their work. Certainly some were recognized as part of famous collaborations, as with Gilbert and Sullivan. However, in many other cases the composer of the musical score to an opera or operetta has been given the lion's share of credit for the completed work, and the writer of the lyrics relegated to a mere footnote. In some cases, the opera adaptation became more famous than the literary text on which it was based, as with Claude Debussy's Pelléas et Mélisande after a play by Maurice Maeterlinck.
On the other hand, the affiliation of a poor libretto to great music has sometimes given the libretto's author a kind of accidental immortality. Certainly it is common for works of classical music to be admired in spite of, rather than because of, their libretti.