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Master of Puppets
Album by Metallica
Released February 21, 1986
Recorded Sweet Silence Studios Copenhagen, Denmark Sept- Dec, 1985
Genre Thrash Metal
Length 54 min 41 sec
Record label Elektra
ProducerIn the music industry, record producer designates a person responsible for completing a master recording so that it is fit for release. In earlier days, record producers bore the title of A&R men for Artists and Repertory which gives a clearer picture of Metallica,
Flemming Rasmussen
Professional reviews
AMGThe All Music Guide (AMG) is a large, comprehensive and high quality metadata database about music. AMG was founded in 1991 as a guide for consumers and published its first reference book the next year. Considered to be the de-facto standard of music meta 5/5 link
Metallica Chronology
Ride the Lightning
( 1984This page is about the year 1984. For other uses of 1984, see 1984 (disambiguation). 1984 is a leap year starting on Sunday (link shows calendar). Events January January 1 Brunei becomes a fully independent state January 1 AT&T is broken up into 22 indepe)
Master of Puppets
( 1986)
...And Justice For AllAnd Justice for All is Metallica's fourth album, released August 8, 1988, by Elektra Records. Overview The third album in an unofficial trilogy of Metallica albums that includes Ride the Lightning (1984) and Master of Puppets (1986), . And Justice For All
( 19881988 is a leap year starting on Friday (click on link for calendar). Events January January 2 Georgia celebrates its bicentennial statehood. January 9 Connecticut celebrates its bicentennial statehood. January 26 Australia celebrates its bicentennial day.)

Master of Puppets is Metallica's third album, released February 21, 1986, by Elektra Records. The album reached No. 29 on "The Billboard magazine 200" chart. It was the last album the band recorded with Cliff Burton and it is considered a landmark in the history of heavy metal.

1 Interpretation

The album is almost a concept album in that the theme of people as puppets runs through most of the songs on the album. Many of the songs deal with a particular "master": anger in "Battery", addiction in "Master of Puppets", madness in "Welcome Home (Sanitarium)", and religion in "Leper Messiah". In addition, the notion of soldiers as cannon fodder is explored in "Disposable Heroes" and, to stretch the point somewhat, even the reference to the Cthulhu Mythos in "The Thing That Should Not Be" brings to mind the followers of a cult; "Orion", the hunter of Greek myth, was killed by Artemis after he became her follower. "Damage Inc.", the album's final track, is a call of non-conformity, to cut the strings of the puppet master.

The album's cover gives hint to some of the threads of the album. The cover shows a military cemetery with crosses as grave stones, bringing to mind both the dead soldiers of "Disposable Heroes" as well as the followers of the corrupt preacher of "Leper Messiah". The grave stones are attached by strings to a pair of controlling, puppet master-like, hands reaching down from above. Note that the leftmost cross in the front has a helmet hanging on it, and the dog tags on the cross in the middle. These are clearer references to "Disposable Heroes".





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