Paradigmatic analysis is a method developed by Nicolas Ruwet during the 1960s but later named by others "based on the concept of 'equivalence'. Ruwet argued that the most striking characteristic of musica syntax was the central role of repetition - and, by extension, of varied repetition or transformation (Ruwet 1987)."
Source
Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. BooksEnthsiast.com.
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