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Each metronome is wound to its maximum extent and then left to tick down. The sound at first is a staticy crackle, but after a few minutes patterns can be noticed in the sound and individual metronomes can be more clearly made out. The piece always ends with one final metronome that ticks alone for a few beats.
The work is an intersting exploration of the nature of sound, but is not a popular one for recreational listening. It is some of Ligeti's most modernistic and abstract music, reminiscent of John Cage.
Ligeti would later integrate metronomes in his 1971 Chamber Concerto . The work also is reminiscent of many of Ligeti's works in its slowly evolving landscapes of sound. It is an example of Ligeti's belief in micropolyphony.